Hum Tum Shabana 2011 Review And Hindi Movie Watch Free Online & Download Free

Hum Tum Shabana 2011 Hindi Movie Watch Online Informations :
Director : Sagar Ballary
Producer : Sunil Chainani, Sameer Srivastava, Subhash Dawar
Music Director : Sachin, Jigar
Release Date : 30 Sep 2011
Genre : Comedy
Language : Hindi
Cassettes : T-Series
Cinematography : Anirudh Garbyal
Cast : Tusshar Kapoor, Shreyas Talpade, Minissha Lamba, Pia Trivedi, Satish Kaushik, Sanjay Mishra, Madhur Bhandarkar, Pooja Batra, Aditi Govitrikar
Casting in Hum Tum Shabana 2011 Hindi Movie :
Tusshar Kapoor as Rishi
Shreyas Talpade as Karthik
Minissha Lamba as Shabana
Satish Kaushik as Panju Don

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Hum Tum Shabana (2011) Movie Review-
                                                                       Is HUM TUM SHABANA a present-day adaptation of David Dhawan's immensely likeable DEEWANA MASTANA? That's what a lot of people seem to be asking me online. Call it a coincidence, but two guys chasing one girl isn't new to Hindi movies. Coincidences apart, both HUM TUM SHABANA and DEEWANA MASTANA are poles apart when it comes to the plotline and the way the screenplay unfolds.

Helmed by Sagar Ballary, HUM TUM SHABANA tilts more towards the GOLMAAL brand of non-stop laughathons than the BHEJA FRY variety, which Ballary is known for. Ballary shifts lanes this time, attempting a madcap entertainer that throws logic out of the window. He opts for a plot that abounds in ludicrous situations, with a twist in the tale towards the post-interval portions. But it is this twist that blows the impact created by an immensely watchable first hour.

At the cost of repeating myself, I wish to state that comedy is serious business and making people laugh in those two hours is a herculean task. HUM TUM SHABANA may not be the most inventive film made in Bollywood, but, yes, it delivers what it promises -- loads of laughter -- at least in the first hour. But how one wishes the post-interval portions were as rip-roaring funny, since that's what you carry home when the movie concludes.
HUM TUM SHABANA revolves around Rishi [Tusshar Kapoor] and Kartik [Shreyas Talpade], who compete with each other to woo the same girl -- Shabana [Minissha Lamba]. The woman they woo belongs to an underworld clan; her uncle [Satish Kaushik] is a don. The two guys are kidnapped and are told to undergo a rigorous training in nefarious activities, if they have to win the hand of the girl they love.

Director Sagar Ballary packs in lots of gags and witty one-liners in the first hour and the story unfolds at a missile's speed. There are sequences that make you smile and even break into guffaw at times. The expectations from the second hour, therefore, are monumental. But barring one sequence in the post-interval portions, which is truly funny, the second hour stumbles and fumbles, with the entire Horror House track trying so hard to be funny, but falling flat in the process. Frankly, Ballary loses track in these portions.
There's no denying that the writing of the film is erratic. The characters are well defined, the setting and situations are just right and the dialogue are sharp and witty. But the screenplay in the second hour doesn't create magic. One doesn't mind watching nonsensical situations as long as the film holds your interest, but it doesn't.

Sachin-Jigar are a talented composer duo and their tunes in HUM TUM SHABANA are equally mass-friendly. 'Hey Na Na Na Shabana' and 'Music Bandh Na Karo' are chartbusters already. I'd like to make a special mention of the dialogue [Sharat Kataria], which are in sync with the mood of the film.

Both Tusshar and Shreyas have a crackling coming timing and it's evident in HUM TUM SHABANA. In fact, the madness in the film is because of these two actors. The crazy stuff they do and the Tom and Jerry kind of situations that one gets to watch contribute to the engaging moments. These two actors don't let you down one bit, both are in top form.

Minissha hasn't done title roles earlier, but she has been an integral part of movies that had her in author-backed roles, such as YAHAAN, WELL DONE ABBA and ANAMIKA. In HUM TUM SHABANA, though the focus is on Tusshar and Shreyas, Minissha too holds the scenes prominently and effortlessly, though she gets sidelined towards the second hour.

Satish Kaushik is a veteran when it comes to the comic genre. His comic timing was evident in a number of films in the past and together with Sanjay Mishra, he brings the house down on several occasions throughout the film. Sanjay Mishra is simply crazy. Pia Trivedi oozes glamour and does well in her debut film.

On the whole, HUM TUM SHABANA is a good idea gone wrong! It has a funny first half, but a disappointing second hour.


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Miley Naa Miley Hum 2011 Review And Hindi Movie Watch Free Online & Download Free

Miley Naa Miley Hum 2011 Hindi Movie Watch

Loot 2011 Review And Hindi Movie Watch Free Online & Download Free

Loot 2011 Hindi Movie Watch Online Informations :
Director : Rajnish Thakur
Producer : Sunil Shetty
Music Director : Sameer Tandon
Lyricst : Shabbir Ahmed
Release Date : 04 Nov 2011
Genre : Comedy
Language : Hindi
Cast : Govinda, Mahaakshay Chakraborty, Hansika Motwani, Shweta Bhardwaj, Jaaved Jaaferi, Rakhi Sawant, Suniel Shetty, Ravi Kissen, Mika Singh, Kim Sharma, Razzak Khan, Mahesh Manjrekar, Dalip Tahil, Prem Chopra, Deepraj Rana, Shehzad Khan
Casting in Loot 2011 Hindi Movie :
Sunil Shetty as Builder
Govinda as Pandit
Javed Jaffrey as Akbar
Mahaakshay Chakraborty as Wilson

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Loot (2011) Movie Review-
                                               Some films take a long time to hit the screens. Resultantly, the story appears obsolete, the gags fall flat and the outcome, therefore, lacks fizz. LOOT, directed by Rajnish Raj Thakur, is a been-there-seen-that kind of a ride that had everything going in its favor had it arrived a few years ago, but the time lapse seems to have played spoilsport here.

As the reels of LOOT unfold, you realize the film doesn't stand on its feet after you are introduced to the four protagonists. Reason: The perennial problem that ails most films -- slapdash screenplay. In reality, it's not merely a screenplay of convenience, but the writing is so disjointed at times that even the fine acting and some witty lines get overlooked in the route.

LOOT tells the story of Pandit [Govinda], Builder [Suniel Shetty], Akbar [Jaaved Jaaferi] and Wilson [Mahakshay Chakraborty], who are entrusted with the responsibility of carrying out a robbery in Pattaya, Thailand. But, as luck would have it, they rob a wrong address and find themselves in a mess, with a dreaded don [Mahesh Manjrekar] thirsting for their blood.

On paper, the concept of LOOT may have evoked super reactions by those reading it, but on celluloid, the film abounds in cinematic liberties, which gets hard to absorb after a point. Of course, LOOT is a hardcore masala film and one doesn't question the logic behind such plots. But the screenplay is so messy and with too many characters in the fray, the deficiencies loom large at every step.

The main culprit is the sloppy script and hence, there's not much director Rajnish Raj Thakur can do to salvage the show. There's no scope for songs in the movie, hence the track in the dance club in Pattaya and also towards the end credits [Rakhi Sawant number] doesn't add to the goings-on.

Govinda's comic timing is impeccable and he carries off some witty lines with amazing ease. Suniel Shetty is the best of the lot. He stays true to his character and handles his part like a pro. Like Govinda, Jaaved Jaaferi too has a flair for comic roles and he does a fine job. Mahakshay doesn't cut ice. Mika does well, given the fact that it's his debut film as an actor. Shweta Bhardwaj and Kim Sharma only add to the glam quotient.

Prem Chopra is passable. Mahesh Manjrekar doesn't evoke fear, though he's supposed to be a dreaded don. Ravi Kishen is getting typecast. Dalip Tahil and Deepraj Rana are just about okay. Shehzad Khan and Razzaq Khan are as usual.

On the whole, LOOT is an 80s style masala fare that lacks smart writing and slick direction. At best, it may find some patronage from spectators who relish typical masala fares.

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Rockstar 2011 Review And Hindi Movie Watch Free Online & Download Free

Rockstar 2011 Hindi Movie Watch Online Informations :
Director: Imtiaz Ali
Writer: Imtiaz Ali
Genres: Drama, Romance
Country: India
Language: English,Hindi
Release Date: 11 November 2011
Cast: Ranbir Kapoor, Shammi Kapoor, Nargis Fakhri, Shikha Jain, Jaideep Ahlawat, Aditi Rao Hydari, Piyush Mishra, Shernaz Patel, Kumud Mishra
Casting in Rockstar 2011 Hindi Movie:
Ranbir Kapoor … Janardan / Jordan
Shammi Kapoor … Ustad Jameel Khan
Nargis Fakhri … Heer
Shikha Jain … Meena
Aditi Rao Hydari … Sheena
Piyush Mishra … Dhingra

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                                                       Rock based movies are revered and admired in Hollywood, but Bollywood hasn't been too kind to this genre. Vipul Shah's LONDON DREAMS failed to cut ice, despite the presence of top notch names, but ROCK ON! was a moderate success, with the urban audiences giving the film a second and third dekho. The film couldn't penetrate into the heartland, though.

Imtiaz Ali has always managed to strike the right balance between the hoi polloi and the gentry. Movies like JAB WE MET and LOVE AAJKAL are proof that the enormously talented raconteur won't attempt a film if he's not fully convinced about it. Known for his imaginative and inventive take on love stories, Imtiaz takes up yet another challenge with ROCKSTAR. The story of a rebellious singer/musician, it traces his journey of love, anguish, ego, trouble, sorrow and devastation. A difficult path to tread, no doubt, but Imtiaz could be a game changer, if the film strikes a chord. Alas! ROCKSTAR is a sumptuously shot movie that is disjointed on script level.

Let's get to the root of the problem. We are used to watching films that have a beginning, middle and end. The problem with ROCKSTAR is that it starts off most impressively, has some terrific moments in between, but the writing gets so erratic and incoherent as it heads towards the conclusion that you wonder, am I really watching an Imtiaz Ali film? I mean, even the naysayers would agree that Imtiaz Ali is a super storyteller and his movies have been talked about [and also remain etched in our memory] due to varied factors, the written material being one of the paramount reasons.

What you take back from ROCKSTAR are some terrific moments, a bravura performance [Ranbir Kapoor is a class apart!] and of course, A.R. Rahman's musical score. Wish one could carry the entire film back in our hearts!

Janardan [Ranbir Kapoor], born and brought up in the very middle class locality of Delhi, has a larger than life dream -- of being a rockstar like Jim Morrison! But all he gets from his reluctant audience is ridicule and humiliation. He's at his wit's end, when he realizes that all musical stars, all artists in fact, have one thing in common. And that is tragedy. They all have tragic lives. They have all suffered painful heartbreaks to become what they are. Alas, there is no pain in Janardan's life. Unless he does something drastic, he will never become a rockstar.

Heer [Nargis Fakhri] is the undisputed diva of the college campus -- beautiful, talented, arrogant, rich and unavailable. She has broken many hearts. Janardan hopes she will break his heart too. He sets out to woo Heer with the sole object of getting his heart broken.

ROCKSTAR traces the journey of a boy who leaves behind Janardan to become Jordan, who traverses the highs and lows of life -- from simple naiveté to tortured soul, from the campus in Delhi to the international stage… He ultimately gets all that his heart has ever desired, but in the process shatters/loses his heart forever.

It's evident that ROCKSTAR seeks inspiration for the story from the iconic, charismatic and popular Jim Morrison. With a capable director like Imtiaz Ali at the helm, one expects ROCKSTAR to be a cult movie in this genre. But the film falters after an impressive start, after you are introduced to the four pivotal characters in the story -- Ranbir, Nargis, Kumud Mishra [Ranbir's confidante] and Piyush Mishra [owner of a music company].

Narrated in flashback, the writing gets erratic as you delve deeper and deeper. The film begins with a few people bashing up Ranbir and one expects the reasons for this fight to come to the fore as the reels unfold. But the sequence remains unexplained even after the movie concludes. Sequences that depict Ranbir's unpredictable and inconsistent behavior are inexplicable as well. The major mood swings -- he's cool as a cucumber at times, but turns irritable and furious immediately -- is also baffling. His relationship with Heer is inconsistent as well. He comes across as an extremely mystified individual. Ranbir's portions in Prague [including meeting Nargis on arrival there] look unreal. The end to the tale is most worrisome. It's an open end, with the audience not really knowing what actually happened to one of the central characters. In fact, the second hour is stretched without valid reason and that makes it a tedious watch.

One expects Imtiaz Ali to outshine his previous works, but he doesn't. Sure, he explores the emotional depths with immense compassion and also draws bravura performances from the central characters, especially Ranbir Kapoor. But let's not disregard the fact that every film depends on a watertight screenplay and ROCKSTAR stumbles and fumbles in this department. At the same time, there are moments that are spectacular and brilliantly executed. The sequence between Shammi Kapoor and Ranbir [when introduced in the music company office] is super. Ditto for a particular sequence featuring Piyush Mishra; he's taking a massage and talking to Ranbir concurrently. Even the sequence when Ranbir tears apart the agreement and throws it at Piyush Mishra is fantastic. A few more individualistic scenes reiterate the fact that Imtiaz Ali is a genius!

Music maestro A.R. Rahman's music is scintillating. ROCKSTAR is about the progression of a musician from India and the songs not only tell his story, but also track his journey from a nobody to a somebody. It must've been a challenge for Rahman to depict the emotional catharsis a rockstar undergoes and the tracks, I wish to add, aren't the typical Rahman numbers either. While some of the songs ['Sadda Haq'] will be loved instantly, a few others will take time to grow on you.

Anil Mehta's cinematography is top notch. Every frame is picture perfect, a painting on celluloid. Dialogue deserve special mention. They are straight out of life.

The secret behind Ranbir's triumph is that he puts his heart and mind into every project he chooses to perform in. Love, resentment, pain, hurt... Ranbir brings a multitude of feelings to his character. It's a role of a lifetime and Ranbir is sure to be immortalized in this story of a rockstar. He glides into the character effortlessly, so much so that you see very little of Ranbir, the actor and more of Janardan/Jordan, the character he represents. His performance is beyond extraordinary.

Nargis is a stunner as far as looks are concerned, but isn't persuasive in poignant moments. However, the chemistry between Ranbir and Nargis is exhilarating. Shammi Kapoor is superb in a small but significant role. Aditi Rao Hydari suffers due to an undeveloped characterization. Kumud Mishra is splendid. What a fine actor! Piyush Mishra is, as always, exceptional. Shernaz Patel enacts her part well.

On the whole, ROCKSTAR does not live up to the confidence and expectations from the otherwise very skilled and accomplished film-maker Imtiaz Ali. The film suffers immensely due to a disorderly screenplay, especially in its post-interval portions. However, the silver lining or the comforting prospect is the virtuoso performance by Ranbir Kapoor and the captivating score by A.R. Rahman, which justify that one extra star.

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Damadamm! 2011 Review And Hindi Movie Watch Free Online & Download Free

Damadamm! 2011 Hindi Movie Watch Online Informations :
Director : Swapna Joshi
Release Date : 27 Oct 2011
Genre : Drama
Cinematography : Oystein Lundstorm
Studio : Studio 18
Distributed by HR Musik
Release date(s) : 27 October 2011
Country : India
Language : Hindi
Cast : Himesh Reshammiya, Sonal Sehgal, Purbi Joshi, Rajesh Khattar

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Damadamm! (2011) Movie Review-
                                                             Starring Himesh Reshammiya, Purbi Joshi, Sonal Sehgal
Directed by Swapna Waghmare
So here he is. Himesh Reshammiya is back in front of the camera. This time he moves away from the wannabe-rockstar’s image to play a working-class nerd. Himesh’s Sameer is a bit of an idiot. So he celebrates the departure of his over-possessive bossy girlfriend Shikha (Purbi Joshi) by dancing on the steeets, making weird faces at passing chicks(who should be shown reciprocating with a stern scowl if not a slap but are instead shown giggling), messing up his tidy apartment and binging on booze with his unsavoury boss who keeps giving our Sameer wrong advice on how to handle women, particularly bossy over-possessive girlfriends.
Damaddam has its nice sweet wholesome moments. It’s one of those innocuous romcoms that neither leave you impressed nor cold.The heartwarming moments come on when you are most expecting them and linger on screen long enough to make you forgot how annoyingly misguided a character the hero really is.
There is a ring of truth to Sameer’s selfdestructive rejection of a 5-year old seemingly stifling relationship for a posh fling in the tempting lap of luxury with his boss’ classy sister Sanjana(Sonal Sehgal).
Shah Rukh Khan had done the same in Aziz Mirza’s Raju Ban Gaya Gentleman, given up the comfort of true love for a fling with a rich heiress. To her credit Sonal Sehgal doesn’t play the Other Woman as a bitch. She echoes Sushmita Sen’s tranquil seductiveness from Goldie Behl’s Bas Itna Sa Khwab Hai. And that’s high praise.
Remarkably Surbat Sinha’s screenplay has a believable trio of protagonists, flawed, fumbling, all too human. But the peripheral characters are a letdown. They aren’t only sketchy but also clumsily etched into the plot. Also the music, Himesh Reshammiya’s mainstay, is here uninspiring and often obtrusive. The track ‘Ishq’ unplugged comes at an embarrassing juncture when the love triangle is in need of a solution, not a song.
What wins you over is the director Swapna Waghmare’s earnestness. She has her heart in the right place. So does the film. Some of the time. For the rest you’ve to grin and bear the excessive zeal of a supporting cast and a music score that don’t know where to draw the line.
Himesh Reashmmiya’s performance is that of a goofy Everyman, a bit of a messed-up soul who finally admits he needs a bullying girlfriend to get him through the complexities of life. Himesh works his performance around the character’s weaknesses and his own limitations as an actor.
It is the underused Purbi Joshi as Himesh’s overbearing girlfriend who steals the show. She imparts a sense of lived-in authenticity to her role, almost at times going beyond the script in search of her character’s lost soul. Why don’t we get to see more of this pretty talented girl in our films?

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Ra.One 2011 Review And Hindi Movie Watch Free Online & Download Free

Director : Anubhav Sinha

Producer : Gauri Khan
Release Date : October 26, 2011
Banner : Eros Entertainment, Red Chillies Entertainment
Genre : Sci-Fi
Producer : Gauri Khan
Cassettes : T-Series
Singers : Akon, Hamsika Iyer, Shafqat Amanat Ali, Vishal Dadlani, Shekhar Ravjiani, Clinton Cerejo, Shruti Pathak, Nandini Shrikar, Siddharath Coutto, Sukhwinder Singh
Music Director : Vishal Dadlani, Shekhar Ravjiani
Cinematography : V Manikanandan
Choreography : Ganesh Hegde
Cast : Shah Rukh Khan, Kareena Kapoor, Arjun Rampal, Shahana Goswami, Satish Shah, Dalip Tahil, Suresh Menon, Sanjay Dutt, Joe Egan, Ben Hawkey, Alex Moore, Mark Barrows, Paul Lowe, Logan Bull, Nathanjohn Carter
Action : Parvez Khan, Spiro Razatos, Firoz Boss
Editor : Sanjay Sharma
Dialogue : Niranjan Iyengar, Kanika Dhillon

Role in Movies
Shahrukh Khan...... G.One/Shekhar Subramanium
Arjun Rampal
Kareena Kapoor...... Sonia Subramanium
Armaan Verma...... Prateek Subramaniam
Sanjay Dutt...... Special appearance
Priyanka Chopra...... Special appearance

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Ra One (2011) Movie Review-
                                                                    I've often heard people say, film-making is nothing short of a gamble. And as any gambler will tell you, you've got to gamble huge to triumph huge. Going by this logic, Shah Rukh Khan is The Supreme Gambler of the year.

What's at stake, beside the big money invested in RA.ONE of course, is a dream, a vision, an aspiration to make a film which appeals to kids and kids at heart. In short, attempt a film that appeals to the universal audience. At the same time, it ought to raise the bar for Hindi films. Also at stake is SRK's once-unchallenged supremacy as the reigning idol of Bollywood and that elusive thing called reputation. When you invest your repute in your dream project and stick your neck out, you expect nothing short of a mega-success.

Movies like KRRISH and ROBOT initiated the trend of superhero films in India, with fantasy making deep inroads into mainstream Hindi cinema. Now RA.ONE raises the bar, takes not a step or two, but a giant leap and adheres to international standards, in terms of execution. But the soul, I wish to add, is very desi. That's precisely the reason why RA.ONE emerges trumps. RA.ONE is beauty [read good looking film] with brains [read content].

What characterizes a stunning superhero movie? I have narrowed it down to three precise constituents that I deem are absolutely necessary for an alluring superhero flick. The first is that the motion picture must encompass spectacular action and edge-of-the-seat thrills. Secondly, a magnificent superhero movie must also boast of luminous performances from the protagonists, which in turn should make these characters appear credible and relatable. Thirdly and most importantly, superhero films must have a narrative that keeps us yearning for more. All of these are indispensable factors in making a superhero movie that will be both acclaimed and adored by fans. Fortunately, RA.ONE emerges triumphant in all the three departments.

RA.ONE is the most ambitious, most expensive and the most technologically complex Hindi film ever made. It pushes the envelope further. It's not merely a film, but an experience, an event. It's a film that will rewrite the textbook of computer graphics in Hindi cinema. At the same time, it is very Indian at heart. The relationship between SRK and the kid is the highpoint of the enterprise. But, at the same time, there are ample clap-trap moments that will send the viewers in frenzy. The chase sequence, when Ra.One finally zeroes on Lucifer, and the subsequent 'entry' of the superhero is awe-inspiring. The train sequence in the second hour is exceptional and a cinematic feat. The presence of Rajnikanth in a crucial sequence will be greeted with deafening claps and whistles. And, of course, the climax of the film; it's simply jaw-dropping.

Besides these factors, the 'Chammak Chhallo' number is already a rage and so are the sequences involving visual effects. In a nutshell, it's an entertainer that works big time. You haven't experienced something like this ever before, on the Hindi screen!

A father tries hard to fit into his son's world. While Shekhar [Shah Rukh Khan] tries every trick in the book to woo his son, his son had given up on him. Just when the father-son duo hit a deadlock, Shekhar strikes gold when he designs one hell of a game. Finally, it all starts falling in place. But the happiness is short-lived. All hell breaks loose when the game that was meant to be played with, starts playing them.

We are spoilt by cinema's ability to create on celluloid anything that can be imagined, therefore we have raconteurs making endeavors to bestow us with movies that you wouldn't have ever envisioned even in your mind's eye. You realize this as you watch RA.ONE, which is a visual spectacle from start to end.

Director Anubhav Sinha along with co-writers David Benullo, Kanika Dhillon and Mushtaq Shiekh may be inspired by international flicks as far as the concept is concerned, but they ensure that they serve the right masala to moviegoers in those 2.30 hours. What actually takes you by complete surprise is not just the money spent on visual effects or the stunning chase and action scenes, but the twists and turns in the screenplay that unravel at a feverish pace.

Besides, the moviegoers have certain expectations and notions about superhero flicks and they expect such characters to perform audacious aerobatics to save someone's life or a nation. But this one's different. Visually arresting and dramatically just what the doctor ordered, the film boasts of relatable characters, which makes this superhero movie for kids as well as grown-ups. In fact, I'd like to add, RA.ONE is not only skillfully directed, but also visually dynamic and entertains from commencement to conclusion.

The album of the film lives up to the grand expectations. Vishal-Shekhar deliver a striking score with 'Chammak Chhallo', 'Dildaara' and 'Raftarein' being the pick of the lot. The background score, also recorded by them, is equally electrifying. V. Manikandan and Nicola Pecorini's cinematography is top notch. Same goes for the stunts and chases [Andy Gill and Spiro Razatos]. Dialogue [Kanika Dhillon and Niranjan Iyengar] are hardly ever commonplace. What I found most interesting is that, whether humorous or thoughtful, the channel of communication appears very credible. The Ra.One and G.One suits, designed by Robert Kurtzman, are super.

RA.ONE is a perfect vehicle that does justice to the talent of Shah Rukh Khan. He seems to have found a story and character that work in perfect sync and tandem with manic energy. SRK steers this physically challenging lead role with high-spirited self-belief. He's endearing as the father and magnificent as the superhero with a heart. Kareena Kapoor is a delight to watch. She effortlessly glides into the character. Besides, she looks ethereal in the 'Chammak Chhallo' song and her wit is infectious. Arjun Rampal pulls his act with effortlessness and style. Also, Arjun's well-designed look is admirable.

I'd like to make a special mention of Armaan Verma, the kid who has a pivotal part to portray. He stands shoulder to shoulder with SRK and Kareena all through the film and delivers a super-confident performance. The film has a number of actors in key roles [Shahana Goswami, Dalip Tahil, Satish Shah, Suresh Menon, Mushtaq Shiekh and Tom Wu] and each of them fit well in their respective parts. Sanjay Dutt and Priyanka Chopra add to the glam quotient, while Rajnikanth proves yet again that he's a scene stealer.

But the man who warrants the actual round of applause is director Anubhav Sinha himself. For bringing out the best of SRK, Kareena and Arjun. For the amazing screenplay. For the speedy yet smooth stream of the narrative. And for the fantastic unfolding of the written material. He merits top admiration for every act of his.

On the whole, RA.ONE is a solid entertainer, no two opinions on that. It's not merely a great looking film, but also has soul, which is so essential to strike a chord with the avid moviegoer. As for the business prospects, RA.ONE is sure to shatter all previous records and set new ones, in India as well as internationally. The film will be the new yardstick for measuring success. It has Blockbuster written all over it!

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Tell Me O Khuda 2011 Review And Hindi Movie Watch Free Online & Download Free

Tell Me O Khuda 2011 Hindi Movie Watch Online Informations :
Director : Hema Malini, Mayur Puri
Producer : Hema Malini
Release Date : 27 Oct 2011
Genre : Drama
Language : Hindi
Cast : Esha Deol, Arjan Bajwa, Sudhanshu Pandey, Dharmendra, Vinod Khanna, Rishi Kapoor, Chandan Roy Sanyal, Johny Lever, Gurbachan, Madhoo

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Tell Me O Khuda (2011) Movie Review-
                                                                     Here’s the story: The heroine’s an artiste of sorts. Much later in her youth, she figures that she’s in fact an adopted child. Confused by this strange turn of events, she leaves home,generally curious to finally meet her biological parent. Her boyfriend remains by her side. This was Hema Malini’s directorial debut in 1992, with Shah Rukh Khan playing that boyfriend, and Divya Bharti, the leading lady.

Two decades hence, Hema Malini’s the director again; her daughter (Esha Deol) is the heroine. The story remains roughly the same! Which is fair. I don’t think anyone’s interested in telling a story here, commercial hit for the daughter, her re-launch as it were, is more important. It’s easy to tell why this movie got made.
Suddenly, out of the sea in captivating silver overtone, emerges the hot leading lady in ghagra-choli, under a full moonlight. This shows her sensuous side. But she’s not just a pin-up. On a threatening sunny day, in the scorching heat of Rajasthan, this Flying Sikh can dive, land straight onto the back of a running camel set to the chant of “Jai Maa Bhawani”. This is Rekha's Jhansi Ki Rani type stuff from past her glory days.

This lead character, a writer by profession, has just won the famed camel race in a town called Pratapgarh. She’s the first female to do so. The race sequence is delightful. The heroine’s father, in real life, I’m told, has been a member of parliament from Bikaner in Rajasthan. The locations scouted for is understandably stunning. Thrown back in time, she is surrounded by Rajput warriors, rotary phones, massive palace. The king could be her biological father (Vinod Khanna). We don’t know yet. Or the real dad (Rishi Kapoor) could be an Indian Muslim man in a town called Kas. We’re in Turkey: I mean of course the European country, not this oddly ballistic movie. The scenic beauty seems sponsored by the tourism board. The mother in this half-Indian household went cuckoo when her child died at birth, 24 years before: she carries kiddie books, talks to an empty crib, dances with an infant’s sweater on her chest. She could be the heroine’s real mom. You never know.
There are basically three daddies in contention: Abhay, Altaf, Anthony, much like Amar, Akbar, Anthony. A jobless boyfriend (Arjan Bajwa) and his carefree lackey (Chandan Roy Sanyal) get to vacation, enjoy a free ride, touring on this search. The final destination’s Goa, where the dad could turn out to be a well known dreaded don.
This is when daddy of ‘em all Dharmendra walks into the picture. He, of the “kutte kaminey, main tera khoon pee jaoonga” fame, beats other villains to pulp, knocks down armies. “Oh Jheezes,” you go, as Garam Dharam puts in this pic. It’s a sad parody. The 76-year-old ‘70s superstar did this for his sons Sunny, Bobby in Yamla Pagla Deewana (2011). That unbearable picture was a hinterland hit. He’s giving his best for his luckless daughter this time.
Extreme love for the progeny produces corruption in several societies. It produces some terribly inspired entertainment in India. Few grudge the latter as much, I suppose. They don't have to sit through it, if they don’t wish to. I didn’t have a choice.

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